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Howard Norman
Two books that "changed
my life:"
Hell Screen, Cogwheels, A Fool's Life by Ryunosuke
Akutagawa
Translated by Takashi Kojima and Cid Corman
Audubon: A Vision by Robert Penn Warren
Audubon: A Vision
It would be shameless to suggest that my writing demonstrates
the influence of this wonderful poetic sequence, simply
because Audubon: A Vision draws a reader so deeply
into its subject, Audubon's life, (with more concise
emotion and "emotional fact" than any biography
I've read) and the fundamental strangeness of the early
American wilderness, that it - like all literature of
genius - is entirely a matter of experiencing it; inspiration
comes in thinking about the accomplishment. Thomas Pynchon's
Mason & Dixon offers this opportunity, too.
However, the writing itself in Audubon: A Vision,
was indeed instructive; its compression of imagery,
the almost unbearable tension of incident, the sheer
inventiveness of plot within formal constraints, all
imported the past with uncanny immediacy into the present,
until the boundary between past and present disappeared.
In Mr. Warren's poem, philosophical alertness is entirely
devoid of didactic preachiness. Common speech is imbued
with historic nuance. To my mind, perhaps only the prose
of Giorgio Bassani-especially in The Smell of Hay--and
Ryunosuke Akutagawa-especially in A Fool's Life--has
such idiosyncratic elegance of thought and language.
Howard Norman
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