Patricia Smith
Blood Dazzler
Coffee House Press
Interview
conducted by Craig
Morgan Teicher.
Craig Morgan Teicher:
How does it feel to be a Finalist for the National Book
Award?
Patricia
Smith: The first thing I thought about
when I saw the list of nominated poets, was that the
first poem I ever published was in Triquarterly,
edited by Reginald Gibbons. It’s a real circle
for me. I always thought that all artists wake up every
morning and stare at the same blank canvas; the words
I have available to me in order to paint that canvas
are the same words that legends and Poet Laureates and
writers who are household names have. Finding myself
in the company of these guys proves to me once and for
all that the most important thing is the story and the
telling of the story. I have to believe with this that
pursuing our passion will eventually find us all—bad
boys and secretaries and NEA recipients and rappers
and teachers and Guggenheim fellows—in the same
space and finally telling our stories to each other,
and above all listening.
CMT: Blood Dazzler
makes me think of William Carlos Williams’
lines about getting the news from poetry—it’s
a book about the “current events” around
Hurricane Katrina. Was it a different writing experience
from your previous books?
PS:
There was one story among the tragedies
that were stacked upon tragedies in Katrina, that kept
nudging at me and that was the 34 nursing home residents
who were left behind and eventually died. I’ve
always written a lot in persona, and what I set out
to do was to wind the clock out a little bit and give
those 34 people a little bit of their voice back. It
was that one poem [titled “34”] that I thought,
I’m going to do this and fold it in to the repertoire
of things I do in my readings, then I’m going
to move on.
Then a couple things happened
that opened the doors, and got me to write more poems.
One was at a reading I did. I’m always really
tuned in to what my audience is feeling, and I was doing
that poem, and I had some people in the audience looking
at their watches and fidgeting around, and I think if
they hadn’t been in the center of the audience
they probably would have run out of the room altogether.
I hunted them down afterwards and without being confrontational,
asked, “Was there something that was bothering
you about that poem?” A woman said to me, “Uh,
well you know they’ve had Mardi Gras, right?”
I realized that there were quite a few people who wanted
to file Katrina away and have it be done so they could
get on with their lives. And once I started writing
after that, there wasn’t that much difference,
because most of my poetry is a response to something.
I get a lot of my work from the news and from conversations
I hear. I did have to focus so minutely on that one
event and look at it from different angles, as well
as do a little bit of the background work in talking
to people from New Orleans, because I’m not from
there and I did not have that experience, but there
were millions of people who watched it unfold on television,
and I wanted to be that person and say “we can’t
fold this away, it has to be something that remains
in the public consciousness.”
CMT: So is that what
you hope the book will do?
PS: I
want people to keep talking about it. I also want people
to be aware that the country we live in is capable of
much. I go into a lot of middle schools, and I will
talk about events like the Vietnam War, and kids are
all starting at me like, “That would be what?”
I find myself having to do a lot of backtracking before
I can do a reading. I like the vision of students 20-30
years from now holding that book in their hands and
at least having the questions formed, where they would
look and say, “What did this mean to the country?”
Craig
Morgan Teicher is a poet, critic, and freelance writer.
His first book of poems, Brenda Is In The Room And
Other Poems, was chosen by Paul Hoover as winner
of the 2007 Colorado Prize for Poetry and was published
by the Center for Literary Publishing. His collection
of short stories and fables, called Cradle Book,
will be published in spring 2010 by BOA Editions Ltd.
www.craigmorganteicher.com
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