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Edward
Ball
Winner of the 1998 NONFICTION
AWARD for Slaves
in the Family
Thank you very much. Thank you. Thanks
to the National Book Foundation. When I was a boy, my
father used to tell me stories about our ancestors,
the plantation owners. "Did I ever tell you about
Elias "Red Cap" Ball?" he would say.
"He was a mean fellow. He fought in some Indian
wars, and he owned about 100 people. Did I ever tell
you about Isaac "The Confederate" Ball?"
Isaac the Confederate was my father's grandfather. He
enlisted in the South Carolina Light Artillery at age
18, fought throughout the Civil War, and ended up in
Central North Carolina in the last stand against Sherman.
But for all his stories, my dad never said much about
the slaves that our family owned. I learned later that
our family had controlled 25 rice plantations along
the Cooper River, north of the city of Charleston, that
we'd enslaved close to 4,000 Africans and African-Americans
over a period of 170 years, and I later calculated that
the descendants of those black families numbered between
75,000 and 100,000 living Americans today. In fact,
my dad had a joke. There are five things we don't talk
about in the Ball family, religion, sex, death, money,
and the Negroes. It was some years before I gathered
the courage to break the taboo in my family around the
subject of slavery. I was in my 30s, and when I did,
Jonathan Galassi and Farrar, Straus and Giroux was there,
and he shepherded this book to its completion.
Roger Straus was there. He muscled this book to its
completion. I'm grateful to Chris Dahl, my agent, to
my fiance, Liz Guckenberger, for standing by me, and
to all the staff at Farrar, Straus. Part of the reason
for doing this book was to try to get some reconciliation
between white folks and black folks around the subject
of slavery, and on that score, I've decided to take
the next step, which is actually to pay restitution,
and I have decided that I will set aside a quarter of
my income from sales of the copies of this book to create
a foundation that will be run in collaboration between
black folks and white, to create restitution programs
that we design together, in some attempt to answer for
the legacy of slavery.
A handful of members of my own family, the Balls, are
going to participate with me in the creation of this
foundation, and maybe others will be brought along,
as well. Well, this is a surprise and a great honor.
Thank you, Neil Baldwin, and thanks to the National
Book Foundation, and thank you all for taking an interest
in this project and for going with me on that long journey.
Thank you.
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