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Gerald
Stern
Winner of the 1998 POETRY
AWARD for This
Time: New and Selected Poems
I'm speechless, as always. We poets...
I was going to write an acceptance speech on the back
of my menu, but nobody at my table had a pencil, so
I'll have to wing it. We poets have an advantage over
the poor prose writers, we can give you a taste of our
poetry in a few lines, a few words, if necessary, and
if it doesn't seem to presumptuous, I would like to
recite a very short poem of mine, which is the first
poem... if I can remember it, from This Time: May Selected
Poems, which is a collection of nine or ten books, starting
in the late '60s, 30 years of poetry. Let me first just
start my comments by reciting that poem to you, probably
butchering it. I can't remember what I called the poem.
But it's about the hare and the tortoise, and it goes
something like this, because I published late, in the
beginning. "I didn't take myself seriously as a
poet until the white began to appear in my cheek, all
before it was amusement and affection. Now, like a hare,
like a hare, like a hare, I watch the tortoise lift
one horrible leg over the last remaining style and head
for home, practically roaring with virtue. Everything,
suddenly everything is up there in the mind, all the
beauty of the race gone, and my life merely an allegory."
I want to give thanks and praise to a number of people,
as those before me did. To my dear love, Ann Marie McCarrie,
to my dear editor, who... what was the phrase, something
about rubies? Who was sitting beside me all evening,
putting her left or right thumb up in the air, I forgot
which one, Carol Smith, and to my first editor of the
commercial... from commercial presses, who generously
came over to my table to support me, and who supported
me in my first three books, at Houghton Mifflin and
Random House, where he used to work, Jonathan Galassi,
and I want to pay tribute to the poets who I competed
with this time around, all of them good friends of mine,
and people whose work I deeply, deeply respect, without
question, and not just pro forma to say this, each of
them worthy of this or any other award, Pete Fairchild,
whom I had the joy of discovering for the first time,
and whose magnificent poems, extraordinary poems, I
had the joy of reading over the last few days, and Alicia
Ostriker, whom I have known for dozens of years, and
whose work I celebrate, and who I love, and Linda Pastan,
a master craftsman, a magnificent poet, and Carl Phillips,
whom I've known for a long time, and whose beautiful
language, his soul and spirit I celebrate also.
I apologize for winning over you. I mean that sincerely.
I don't know who else to thank. I feel like my bar mitzvah,
and I should thank my dear grandparents. I thank you
all.
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