From Blues to Dixieland to Ragtime, early 20th century American popular music serves as a stylistic and thematic model for the poems in this collection. The poet limits himself to short verses, often of only two lines, complementing his urgent and highly personal subject matter while lending melodic vocal attributes to the verse. The collection infuses decades-old American lyric formulas with contemporary diction and vernacular, and, in so doing, recasts the past in the most contemporary of terms.