Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie’s children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise.
Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward’s distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature.
Jesmyn Ward’s Sing, Unburied, Sing is a narrative so beautifully taut and heartbreakingly eloquent that it stops the breath. Through fully imagined characters both living and dead, this road novel moves beyond the road into the bigger story of what it means to be an American in the rural South both now and decades before this moment. From the elderly, loving Pops, to the clairvoyant toddler, Michaela, the living and the dead confront racism, hope, and the everlasting handprint of history.