Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout. Guilty or innocent, Steve becomes a pawn in the hands of “the system,” cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences.
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I’ll call it what the lady who is the prosecutor called me. MONSTER.
FADE IN: INTERIOR COURT. A guard sits at a desk behind Steve. Kathy O’Brien, Steve’s lawyer, is all business as she talks to Steve.
O’BRIEN
Let me make sure you understand what’s going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you’re in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .
STEVE
You think we’re going to win ?
O’BRIEN (seriously)
It probably depends on what you mean by “win.”
Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.
Guilty or innocent, Steve becomes a pawn in the hands of “the system,” cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.
As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers’s writing at its best.
Aunt Sally has come all the way from Vancouver Island, Canada, to take care of the children while their parents are away, and right from the start, Aunt Sally enchants them with tales of her childhood with their father. All of Aunt Sally’s reminiscences lead up to a crucial story about trolls, sinister creatures who supposedly lurked along the shore at night.
Aunt Sally is beyond any of Melissa, Amanda, and Pee Wee’s expectations. She has come all the way from Vancouver Island, Canada, to take care of the children while their parents are away, and right from the start, Aunt Sally enchants them with tales of her childhood with their father. Odd characters figure largely in the stories, like Maud, a hunter rumored to have killed eighty cougars; Great-uncle Louis, a health nut who insists everyone should gnaw on sticks for extra fiber; and Fat Little Mean Girl, the star of a cautionary tale involving witchcraft and candy. All of Aunt Sally’s reminiscences lead up to a crucial story about trolls, sinister creatures who supposedly lurked along the shore at night. The trolls had the power to change Aunt Sally’s life forever, and their legacy may change the lives of the three present-day children as well.
The Birchbark House, the award-winning author Louise Erdrich’s first novel for young readers, features Nineteenth-century American pioneer life as seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island.
Nineteenth-century American pioneer life was introduced to thousands of young readers by Laura Ingalls Wilder’s beloved Little House books. With The Birchbark House, award-winning author Louise Erdrich’s first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior’s Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island.
In Laurie Halse Anderson’s powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.
The first ten lies they tell you in high school.
“Speak up for yourself—we want to know what you have to say.”
From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson’s powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.
With understated elegance, Kimberly Willis Holt tells a compelling coming-of-age story about a thirteen-year-old boy struggling to find himself in an imperfect world. At turns passionate and humorous, this extraordinary novel deals sensitively and candidly with obesity, war, and the true power of friendship.
The red words painted on the trailer caused quite a buzz around town and before an hour was up, half of Antler was standing in line with two dollars clutched in hand to see the fattest boy in the world.
Toby Wilson is having the toughest summer of his life. It’s the summer his mother leaves for good; the summer his best friend’s brother returns from Vietnam in a coffin. And the summer that Zachary Beaver, the fattest boy in the world, arrives in their sleepy Texas town. While it’s a summer filled with heartache of every kind, it’s also a summer of new friendships gained and old friendships renewed. And it’s Zachary Beaver who turns the town of Antler upside down and leaves everyone, especially Toby, changed forever.
With understated elegance, Kimberly Willis Holt tells a compelling coming-of-age story about a thirteen-year-old boy struggling to find himself in an imperfect world. At turns passionate and humorous, this extraordinary novel deals sensitively and candidly with obesity, war, and the true power of friendship.
When Zachary Beaver Came to Town is the winner of the 1999 National Book Award for Young People’s Literature.
Repair is body work in C. K. Williams’s sensual poems, but it is also an imaginative treatment of the consternations that interrupt life’s easy narrative.
Repair is body work in C. K. Williams’s sensual poems, but it is also an imaginative treatment of the consternations that interrupt life’s easy narrative. National Book Critics Circle Award-winner Williams keeps the self in repair despite love, death, social disorder, and the secrets that separate and join intimates. These forty poems experiment with form but maintain what Alan Williamson has heralded Williams for having so steadily developed from French influences: “the poetry of the sentence.”
Repair is a 1999 National Book Award Finalist for Poetry and the winner of the 2000 Pulitzer Prize for Poetry.
The centerpiece of this collection, “Elegy for My Sister,” is a sequence of poems on the suicide of the poet’s sister in which he gathers, piece by piece, the scattered fragments of his sister’s life.
The centerpiece of this collection, “Elegy for My Sister,” is a sequence of poems on the suicide of the poet’s sister in which he gathers, piece by piece, the scattered fragments of his sister’s life. In other poems, Santos follows this elegiac theme into the broader contexts of myth and contemporary history to explore the ways each private loss is overlaid by those harrowing conditions by which our century defines itself.
This substantial volume, half of which is comprised of new and previously uncollected work, represents the first retrospective of novelist, anthologist, and poet Clarence Major’s forty-year writing career. Informed by topics as diverse as racism, painting, travel, music, sexuality, and mythology, Major’s poems reflect a love for the language which is infectious.
This substantial volume, half of which is comprised of new and previously uncollected work, represents the first retrospective of novelist, anthologist, and poet Clarence Major’s forty-year writing career. Informed by topics as diverse as racism, painting, travel, music, sexuality, and mythology, Major’s poems reflect a love for the language which is infectious.
Vita Nova is a book that exists in the long moment of spring, a book of deaths and beginnings, resignation and hope, brutal, luminous, and farseeing.
Since, 1990, Louise Glück has been exploring a form that is, according to poet Robert Hass, her invention. Vita Nova — like its immediate predecessors, a book-length sequence — combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring, a book of deaths and beginnings, resignation and hope, brutal, luminous, and farseeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox, a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it.
