5 Under 35 2017

The National Book Foundation is pleased to present the 2017 5 Under 35 honorees, a selection of debut fiction writers under the age of 35 whose work promises to leave a lasting impression on the literary landscape. Each author was selected by a National Book Award Winner, Finalist, or writer previously recognized by the 5 Under 35 program, and these honorees represent some of the best that the world of literary fiction has to offer.

In 2006, the National Book Foundation established the 5 Under 35 prize to recognize young, debut fiction writers whose work promised to leave a lasting impression on the literary landscape. 5 Under 35 has identified some of the most celebrated young writers working today. Previous honorees include Brit Bennett, Angela Flournoy, Phil Klay, Nam Le, Valeria Luiselli, C.E. Morgan, Téa Obreht, ZZ Packer, Karen Russell, Justin Torres, Claire Vaye Watkins, Tiphanie Yanique, and Charles Yu.

5 Under 35 Honorees are writers from around the world, under the age of 35, who have published their first and only book of fiction—either a short story collection or a novel—within the last five years. In addition to being recognized at an invite-only ceremony in November, the honorees are presented with a $1,000 prize. Championing young authors at the beginning of their careers is part of the Foundation’s efforts to celebrate books, promote inclusivity, and engage more readers. 

5 Under 35 Honorees are selected by authors previously recognized by the National Book Foundation—either by National Book Awards or 5 Under 35 itself. Selectors maintain confidentiality until the Honorees are announced in mid-September. As Honorees are selected at the discretion of the selection committee, publisher cannot nominate an honoree or submit a book for consideration.

Chemistry

Taking us deep inside her scattered, searching mind, here is a brilliant new literary voice that astutely juxtaposes the elegance of science, the anxieties of finding a place in the world, and the sacrifices made for love and family.

Three years into her graduate studies at a demanding Boston university, the unnamed narrator of this nimbly wry, concise debut finds her one-time love for chemistry is more hypothesis than reality. She’s tormented by her failed research—and reminded of her delays by her peers, her advisor, and most of all by her Chinese parents, who have always expected nothing short of excellence from her throughout her life. But there’s another, nonscientific question looming: the marriage proposal from her devoted boyfriend, a fellow scientist, whose path through academia has been relatively free of obstacles, and with whom she can’t make a life before finding success on her own. Eventually, the pressure mounts so high that she must leave everything she thought she knew about her future, and herself, behind. And for the first time, she’s confronted with a question she won’t find the answer to in a textbook: What do I really want? Over the next two years, this winningly flawed, disarmingly insightful heroine learns the formulas and equations for a different kind of chemistry—one in which the reactions can’t be quantified, measured, and analyzed; one that can be studied only in the mysterious language of the heart. Taking us deep inside her scattered, searching mind, here is a brilliant new literary voice that astutely juxtaposes the elegance of science, the anxieties of finding a place in the world, and the sacrifices made for love and family.

When Watched: Stories

Refreshing, witty, and absolutely close to the heart, Core’s twenty stories, set in and around New York City, have an other-worldly quality along with a deep seriousness—even a moral seriousness.

Refreshing, witty, and absolutely close to the heart, Core’s twenty stories, set in and around New York City, have an other-worldly quality along with a deep seriousness—even a moral seriousness. What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare.

What We Lose

An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

Jillian

Megan, recently out of college and working a meaningless job as a gastroenterologist’s secretary, openly hates all of her friends for being happy and successful. She makes herself feel better by obsessively critiquing the behavior of her coworker, Jillian, a rapid cycling, grotesque optimist, whose downfall is precipitated by the purchase of a dog.

Megan, recently out of college and working a meaningless job as a gastroenterologist’s secretary, openly hates all of her friends for being happy and successful. She makes herself feel better by obsessively critiquing the behavior of her coworker, Jillian, a rapid cycling, grotesque optimist, whose downfall is precipitated by the purchase of a dog.

What It Means When a Man Falls from the Sky: Stories

In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results.

In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In “The Future Looks Good,” three generations of women are haunted by the ghosts of war, while in “Light,” a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to “fix the equation of a person” – with rippling, unforeseen repercussions.

The Hate U Give

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could upend her community. It could also endanger her life.

Orphan Island

On the island, everything is perfect. And only one thing ever changes: on that day, each year, when a boat appears from the mist upon the ocean carrying one young child to join them—and taking the eldest one away, never to be seen again.

On the island, everything is perfect. The sun rises in a sky filled with dancing shapes; the wind, water, and trees shelter and protect those who live there; when the nine children go to sleep in their cabins, it is with full stomachs and joy in their hearts. And only one thing ever changes: on that day, each year, when a boat appears from the mist upon the ocean carrying one young child to join them—and taking the eldest one away, never to be seen again.

Today’s Changing is no different. The boat arrives, taking away Jinny’s best friend, Deen, replacing him with a new little girl named Ess, and leaving Jinny as the new Elder. Jinny knows her responsibility now—to teach Ess everything she needs to know about the island, to keep things as they’ve always been. But will she be ready for the inevitable day when the boat will come back—and take her away forever from the only home she’s known?

Long Way Down

An ode to Put the Damn Guns Down, this is National Book Award Finalist and New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

An ode to Put the Damn Guns Down, this is National Book Award Finalist and New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.