Spanning a wide range of distinct perspectives, voices, styles, and settings, the ten shimmering stories in
Happy Like This offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.
From the publisher:
The characters in Happy Like This are smart girls and professional women—social scientists, linguists, speech therapists, plant physiologists, dancers—who search for happiness in roles and relationships that are often unscripted or unconventional. In the midst of their ambivalence about marriage, monogamy, and motherhood and their struggles to accept and love their bodies, they look to other women for solidarity, stability, and validation. Sometimes they find it; sometimes they don’t. Spanning a wide range of distinct perspectives, voices, styles, and settings, the ten shimmering stories in Happy Like This offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.
In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.
In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.
Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.
Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, raw power, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.
A masterful debut novel by Plimpton Prize winner Isabella Hammad,
The Parisian illuminates a pivotal period of Palestinian history through the journey and romances of one young man, from his studies in France during World War I to his return to Palestine at the dawn of its battle for independence.
From the publisher:
A masterful debut novel by Plimpton Prize winner Isabella Hammad, The Parisian illuminates a pivotal period of Palestinian history through the journey and romances of one young man, from his studies in France during World War I to his return to Palestine at the dawn of its battle for independence.
Midhat Kamal is the son of a wealthy textile merchant from Nablus, a town in Ottoman Palestine. A dreamer, a romantic, an aesthete, in 1914 he leaves to study medicine in France, and falls in love. When Midhat returns to Nablus to find it under British rule, and the entire region erupting with nationalist fervor, he must find a way to cope with his conflicting loyalties and the expectations of his community. The story of Midhat’s life develops alongside the idea of a nation, as he and those close to him confront what it means to strive for independence in a world that seems on the verge of falling apart.
Against a landscape of political change that continues to define the Middle East, The Parisian explores questions of power and identity, enduring love, and the uncanny ability of the past to disrupt the present. Lush and immersive, and devastating in its power, The Parisian is an elegant, richly-imagined debut from a dazzling new voice in fiction.
Jonas Anderson wants a fresh start.He’s made plenty of bad decisions in his life, but he’s sure a move to Sweden, the country of his mother’s birth, will be just the thing to kick-start a new and improved—and newly sober—Jonas.
From the publisher:
Jonas Anderson wants a fresh start.
He’s made plenty of bad decisions in his life, and at age twenty-eight he’s been fired from yet another teaching position after assigning homework like, Attend a stranger’s funeral and write about it. But, he’s sure a move to Sweden, the country of his mother’s birth, will be just the thing to kick-start a new and improved—and newly sober—Jonas.
When he arrives in Malmo in 2015, the city is struggling with the influx of tens of thousands of Middle Eastern refugees. Driven by an existential need to “do good,” Jonas begins volunteering with an organization that teaches Swedish to young migrants. The connections he makes there, and one student in particular, might send him down the right path toward fulfillment—if he could just get out of his own way.
“Such Good Work is, indeed, a bit Jonas-like: it’s wary of affectation or grandstanding; it works small, as if from a sense of modesty, a reluctance to presume; it cuts sincerity with the driest of humor” (The New Yorker). In his debut, Lichtman, “a remarkable thinker and social satirist” (New York Times Book Review), spins a darkly comic story, brought to life with wry observations and searing questions about our modern world, and told with equal measures of grace and wit.
A deep examination of life’s epic and daily moments,
So Many Olympic Exertions puts a spin on the auto-fiction trend in the vein of Sheila Heti and Ben Lerner to examine what counts as meaningful in the field of our lives.
From the publisher:
Blending elements of self-help, memoir, and sports writing, So Many Olympic Exertions is an experimental novel that perhaps most resembles what the ancient Greeks called hypomnemata, or “notes to the self” in the form of observations, reminders, and self-exhortations. Taken together, these notes constitute a personal handbook on “how to live” or perhaps more urgently “why to live,” a question the narrator, graduate student Athena Chen, desperately needs answering.
When Chen hears news that her brilliant friend from college has committed suicide, she is thrown into a fugue of fear and doubt. Through a fascinating collection of anecdotes and close readings of moments in the sometimes harrowing (ie., bloody) world of sports, the novel questions the validity and usefulness of our current narratives of success by focusing attention on seemingly mundane, unexpected, or “failed” moments.
A deep examination of life’s epic and daily moments, So Many Olympic Exertions puts a spin on the auto-fiction trend in the vein of Sheila Heti and Ben Lerner to examine what counts as meaningful in the field of our lives. Is it “winning” goals, dominating others, acting upon unbridled ambition, or the relentless stockpiling of fame and validation? Or can meaning be generated in others ways, through moments of mutuality and shared practice? In her debut novel, Anelise Chen brings you a completely original take on the sports novel.
The National Book Foundation is pleased to present the 2019 5 Under 35 honorees, a selection of debut fiction writers under the age of 35 whose work promises to leave a lasting impression on the literary landscape. Each author was selected by a National Book Award Winner, Finalist, or writer previously recognized by the 5 Under 35 program, and these honorees represent some of the best that the world of literary fiction has to offer.
In 2006, the National Book Foundation established the 5 Under 35 prize to recognize young, debut fiction writers whose work promised to leave a lasting impression on the literary landscape. 5 Under 35 has identified some of the most celebrated young writers working today. Previous honorees include Brit Bennett, Angela Flournoy, Phil Klay, Nam Le, Valeria Luiselli, C.E. Morgan, Téa Obreht, ZZ Packer, Karen Russell, Justin Torres, Claire Vaye Watkins, Tiphanie Yanique, and Charles Yu.
5 Under 35 Honorees are writers from around the world, under the age of 35, who have published their first and only book of fiction—either a short story collection or a novel—within the last five years. In addition to being recognized at an invite-only ceremony in November, the honorees are presented with a $1,000 prize. Championing young authors at the beginning of their careers is part of the Foundation’s efforts to celebrate books, promote inclusivity, and engage more readers.
5 Under 35 Honorees are selected by authors previously recognized by the National Book Foundation—either by National Book Awards or 5 Under 35 itself. Selectors maintain confidentiality until the Honorees are announced in mid-September. As Honorees are selected at the discretion of the selectors, publisher cannot nominate an honoree or submit a book for consideration.
Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children,
The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.
From the publisher:
As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is “as good as anyone.” Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides “physical, intellectual, and moral training” so the delinquent boys in their charge can become “honorable and honest men.”
In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King’s ringing assertion “Throw us in jail and we will still love you.” His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.
The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.
Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are.
From the publisher:
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born—a history whose epicenter is rooted in Vietnam—and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
Taking us through a year in Kamchatka,
Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother.
From the publisher:
One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls–sisters, eight and eleven–go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.
Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother. We are transported to vistas of rugged beauty–densely wooded forests, open expanses of tundra, soaring volcanoes, and the glassy seas that border Japan and Alaska–and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.
In a story as propulsive as it is emotionally engaging, and through a young writer’s virtuosic feat of empathy and imagination, this powerful novel brings us to a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.
