Intensely moving,
When Death Takes Something from You Give It Back explores what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death’s indomitable resolve.
From the publisher:
In March 2015, Naja Marie Aidt’s twenty-five-year-old son, Carl, died in a tragic accident. When Death Takes Something from You Give It Back chronicles the few first years after that devastating phone call. It is at once a sober account of life after losing a child and an exploration of the language of poetry, loss, and love.
Intensely moving, When Death Takes Something from You Give It Back explores what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death’s indomitable resolve.
Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.
Mads is pretty happy with her life. She goes to church with her family, and minor league baseball games with her dad. She goofs off with her best friend Cat, and has thus far managed to avoid getting kissed by Adam, the boy next door. It’s everything she hoped high school would be… until all of a sudden, it’s not.
Her dad is hiding something big—so big it could tear her family apart. And that’s just the beginning of her problems: Mads is starting to figure out that she doesn’t want to kiss Adam… because the only person she wants to kiss is Cat.
Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.
Originally performed for ESPN’s
The Undefeated, this poem is a love letter to black life in the United States. It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world’s greatest heroes.
Originally performed for ESPN’s The Undefeated, this poem is a love letter to black life in the United States. It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world’s greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing stark attention to the endurance and spirit of those surviving and thriving in the present. Robust back matter at the end provides valuable historical context and additional detail for those wishing to learn more.
1919 was a world-shaking year. America was recovering from World War I and black soldiers returned to racism so violent that that summer would become known as the Red Summer. The suffrage movement had a long-fought win when women gained the right to vote…
1919 was a world-shaking year. America was recovering from World War I and black soldiers returned to racism so violent that that summer would become known as the Red Summer. The suffrage movement had a long-fought win when women gained the right to vote. Laborers took to the streets to protest working conditions; nationalistic fervor led to a communism scare; and temperance gained such traction that prohibition went into effect. Each of these movements reached a tipping point that year.
Now, one hundred years later, these same social issues are more relevant than ever. Sandler traces the momentum and setbacks of these movements through this last century, showing that progress isn’t always a straight line and offering a unique lens through which we can understand history and the change many still seek.
Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel
Speak was first published twenty years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless.
Bestselling author Laurie Halse Anderson is known for the unflinching way she writes about, and advocates for, survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published twenty years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless. In free verse, Anderson shares reflections, rants, and calls to action woven between deeply personal stories from her life that she’s never written about before. Described as “powerful,” “captivating,” and “essential” in the nine starred reviews it’s received, this must-read memoir is being hailed as one of 2019’s best books for teens and adults. A denouncement of our society’s failures and a love letter to all the people with the courage to say #MeToo and #TimesUp, whether aloud, online, or only in their own hearts, SHOUT speaks truth to power in a loud, clear voice– and once you hear it, it is impossible to ignore.
Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.
This story was going to begin like all the best stories. With a school bus falling from the sky. But no one saw it happen. They were all too busy—
Talking about boogers.
Stealing pocket change.
Skateboarding.
Wiping out.
Braving up.
Executing complicated handshakes.
Planning an escape.
Making jokes.
Lotioning up.
Finding comfort.
But mostly, too busy walking home.
Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.
When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary—just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie’s not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket.
When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary—just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie’s not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket.
Now Frankie and her sister, Toni, are abandoned alongside so many other orphans—two young, unwanted women doing everything they can to survive.
And as the embers of the Great Depression are kindled into the fires of World War II, and the shadows of injustice, poverty, and death walk the streets in broad daylight, it will be up to Frankie to find something worth holding on to in the ruins of this shattered America—every minute of every day spent wondering if the life she’s able to carve out will be enough.
I will admit I do not know the answer. But I will be watching, waiting to find out.
That’s what ghosts do.
Rarely has a first-time author created characters of such immediacy and power as Z, Aysel, Tommy (suspected fey) and Elaine (also a werewolf), or a world that parallels our own so clearly and disturbingly. Rarely has a first-time author created characters of such immediacy and power or a world that parallels our own so clearly and disturbingly.
Genderqueer fourteen-year-old Z Chilworth has to adjust quickly to their new status as a zombie after waking from death from a car crash that killed their parents and sisters. Always a talented witch, Z now can barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with their mother’s friend, Mrs. Dunnigan, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered by what seems to be werewolves, the town of Salem, Oregon, becomes even more hostile to “monsters,” and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.
Rarely has a first-time author created characters of such immediacy and power as Z, Aysel, Tommy (suspected fey) and Elaine (also a werewolf), or a world that parallels our own so clearly and disturbingly.
World War II has ended, but while America has won the war, twelve-year-old Hanako feels lost. To her, the world, and her world, seems irrevocably broken. America, the only home she’s ever known, imprisoned then rejected her and her family—and thousands of other innocent Americans—because of their Japanese heritage, because Japan had bombed Pearl Harbor, Hawaii.
World War II has ended, but while America has won the war, twelve-year-old Hanako feels lost. To her, the world, and her world, seems irrevocably broken.
America, the only home she’s ever known, imprisoned then rejected her and her family—and thousands of other innocent Americans—because of their Japanese heritage, because Japan had bombed Pearl Harbor, Hawaii.
Japan, the country they’ve been forced to move to, the country they hope will be the family’s saving grace, where they were supposed to start new and better lives, is in shambles because America dropped bombs of their own—one on Hiroshima unlike any other in history. And Hanako’s grandparents live in a small village just outside the ravaged city.
The country is starving, the black markets run rampant, and countless orphans beg for food on the streets, but how can Hanako help them when there is not even enough food for her own brother?
Hanako feels she could crack under the pressure, but just because something is broken doesn’t mean it can’t be fixed. Cracks can make room for gold, her grandfather explains when he tells her about the tradition of kintsukuroi—fixing broken objects with gold lacquer, making them stronger and more beautiful than ever. As she struggles to adjust to find her place in a new world, Hanako will find that the gold can come in many forms, and family may be hers.
