Stone-in-the-Glen, once a lovely town, has fallen on hard times. Fires, floods, and other calamities have caused the people to lose their library, their school, their park, and even their neighborliness.
From the publisher:
Stone-in-the-Glen, once a lovely town, has fallen on hard times. Fires, floods, and other calamities have caused the people to lose their library, their school, their park, and even their neighborliness. The people put their faith in the Mayor, a dazzling fellow who promises he alone can help. After all, he is a famous dragon slayer. (At least, no one has seen a dragon in his presence.) Only the clever children of the Orphan House and the kindly Ogress at the edge of town can see how dire the town’s problems are.
Then one day a child goes missing from the Orphan House. At the Mayor’s suggestion, all eyes turn to the Ogress. The Orphans know this can’t be: the Ogress, along with a flock of excellent crows, secretly delivers gifts to the people of Stone-in-the-Glen.
But how can the Orphans tell the story of the Ogress’s goodness to people who refuse to listen? And how can they make their deluded neighbors see the real villain in their midst?
The events of that day are now tragically familiar: on May 25, 2020, George Floyd became the latest Black person to die at the hands of the police, murdered outside of a Minneapolis convenience store by white officer Derek Chauvin.
From the publisher:
The events of that day are now tragically familiar: on May 25, 2020, George Floyd became the latest Black person to die at the hands of the police, murdered outside of a Minneapolis convenience store by white officer Derek Chauvin. The video recording of his death set off the largest protest movement in the history of the United States, awakening millions to the pervasiveness of racial injustice. But long before his face was painted onto countless murals and his name became synonymous with civil rights, Floyd was a father, partner, athlete, and friend who constantly strove for a better life.
His Name Is George Floyd tells the story of a beloved figure from Houston’s housing projects as he faced the stifling systemic pressures that come with being a Black man in America. Placing his narrative within the context of the country’s enduring legacy of institutional racism, this deeply reported account examines Floyd’s family roots in slavery and sharecropping, the segregation of his schools, the overpolicing of his community amid a wave of mass incarceration, and the callous disregard toward his struggle with addiction—putting today’s inequality into uniquely human terms. Drawing upon hundreds of interviews with Floyd’s closest friends and family, his elementary school teachers and varsity coaches, civil rights icons, and those in the highest seats of political power, Washington Post reporters Robert Samuels and Toluse Olorunnipa offer a poignant and moving exploration of George Floyd’s America, revealing how a man who simply wanted to breathe ended up touching the world.
For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and ’90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise.
From the publisher:
For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and ’90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
The story of the worldwide scientific quest to decipher the coronavirus SARS-CoV-2, trace its source, and make possible the vaccines to fight the Covid-19 pandemic.
From the publisher:
The story of the worldwide scientific quest to decipher the coronavirus SARS-CoV-2, trace its source, and make possible the vaccines to fight the Covid-19 pandemic.
Breathless is the story of SARS-CoV-2 and its fierce journey through the human population, as seen by the scientists who study its origin, its ever-changing nature, and its capacity to kill us. David Quammen expertly shows how strange new viruses emerge from animals into humans as we disrupt wild ecosystems, and how those viruses adapt to their human hosts, sometimes causing global catastrophe. He explains why this coronavirus will probably be a “forever virus,” destined to circulate among humans and bedevil us endlessly, in one variant form or another. As scientists labor to catch it, comprehend it, and control it, with their high-tech tools and methods, the virus finds ways of escape.
Based on interviews with nearly one hundred scientists, including leading virologists in China and around the world, Quammen explains that:
• Infectious disease experts saw this pandemic coming
• Some scientists, for more than two decades, warned that “the next big one” would be caused by a changeable new virus—very possibly a coronavirus—but such warnings were ignored for political or economic reasons
• The precise origins of this virus may not be known for years, but some clues are compelling, and some suppositions can be dismissed
• And much more.
Breathless takes you inside the frantic international effort to understand and control SARS-CoV-2 as if we were peering over the shoulders of the brilliant scientists who led the chase.
An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America
From the publisher:
An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America.
We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.
This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.
Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.
A landmark exploration of one of the most consequential and mysterious issues of our time: the rise of chronic illness and autoimmune diseases
From the publisher:
A landmark exploration of one of the most consequential and mysterious issues of our time: the rise of chronic illness and autoimmune diseases.
A silent epidemic of chronic illnesses afflicts tens of millions of Americans: these are diseases that are poorly understood, frequently marginalized, and can go undiagnosed and unrecognized altogether. Renowned writer Meghan O’Rourke delivers a revelatory investigation into this elusive category of “invisible” illness that encompasses autoimmune diseases, post-treatment Lyme disease syndrome, and now long COVID, synthesizing the personal and the universal to help all of us through this new frontier.
Drawing on her own medical experiences as well as a decade of interviews with doctors, patients, researchers, and public health experts, O’Rourke traces the history of Western definitions of illness, and reveals how inherited ideas of cause, diagnosis, and treatment have led us to ignore a host of hard-to-understand medical conditions, ones that resist easy description or simple cures. And as America faces this health crisis of extraordinary proportions, the populations most likely to be neglected by our institutions include women, the working class, and people of color.
Blending lyricism and erudition, candor and empathy, O’Rourke brings together her deep and disparate talents and roles as critic, journalist, poet, teacher, and patient, synthesizing the personal and universal into one monumental project arguing for a seismic shift in our approach to disease. The Invisible Kingdom offers hope for the sick, solace and insight for their loved ones, and a radical new understanding of our bodies and our health.
Shaped around moments of puncture and release,
The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance.
From the publisher:
Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged.
The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.
The poems in
Best Barbarian roam across the literary and social landscape, from
Beowulf’s Grendel to the jazz musician Alice Coltrane, from reckoning with immigration at the U.S.–Mexico border to thinking through the fraught beauty of the moon on a summer night after the police have killed a Black man.
From the publisher:
The poems in Best Barbarian roam across the literary and social landscape, from Beowulf’s Grendel to the jazz musician Alice Coltrane, from reckoning with immigration at the U.S.–Mexico border to thinking through the fraught beauty of the moon on a summer night after the police have killed a Black man.
Daring and formally elegant, Best Barbarian asks the reader: “Who has not been an entryway shuddering in the wind / Of another’s want, a rose nailed to some dark longing and bled?” Reeves extends his inquiry into the work of writers who have come before, conversing with—and sometimes contradicting—Walt Whitman, James Baldwin, Sappho, Dante, and Aimé Césaire, among others. Expanding the tradition of poetry to reach from Gilgamesh and the Aeneid to Drake and Beyoncé, Reeves adds his voice to a long song that seeks to address itself “only to freedom.”
Best Barbarian asks the reader to stay close as it plunges into catastrophe and finds surprising moments of joy and intimacy. This fearless, musical, and oracular collection announces Roger Reeves as an essential voice in American poetry.
“At the time of have-not, I look at myself in this mirror,” writes Olds in this self-scouring, exhilarating volume, which opens with a section of quarantine poems, and at its center boasts what she calls Amherst Balladz (whose syntax honors Emily Dickinson: “she was our Girl – our Woman – / Man enough – for me”) and many more in her own contemporary, long-flowing-sentence rhythm.
From the publisher:
“At the time of have-not, I look at myself in this mirror,” writes Olds in this self-scouring, exhilarating volume, which opens with a section of quarantine poems, and at its center boasts what she calls Amherst Balladz (whose syntax honors Emily Dickinson: “she was our Girl – our Woman – / Man enough – for me”) and many more in her own contemporary, long-flowing-sentence rhythm. Olds sings of her childhood, young womanhood, and maturity all mixed up together, seeing an early lover in the one who is about to buried; seeing her white privilege without apology; seeing her mother (whom her readers will recognize) “flushed exalted at Punishment time”; seeing how we’ve spoiled the earth but carrying a stray indoor spider carefully back out to the garden.
It is Olds’s gift to us that in the richly detailed exposure of her sorrows she can still elegize songbirds, her true kin, and write that heaven comes here in life, not after it.
