When the unnamed narrator of
Little Rabbit first meets the choreographer at an artists’ residency in Maine, it’s not a match. She finds him loud, conceited, domineering. He thinks her serious, guarded, always running away to write. But when he reappears in her life in Boston and invites her to his dance company’s performance, she’s compelled to attend.
FROM THE PUBLISHER:
When the unnamed narrator of Little Rabbit first meets the choreographer at an artists’ residency in Maine, it’s not a match. She finds him loud, conceited, domineering. He thinks her serious, guarded, always running away to write. But when he reappears in her life in Boston and invites her to his dance company’s performance, she’s compelled to attend. Their interaction at the show sets off a summer of expanding her own body’s boundaries: She follows the choreographer to his home in the Berkshires, to his apartment in New York, and into submission during sex. Her body learns to obediently follow his, and his desires quickly become inextricable from her pleasure. This must be happiness, right?
Back in Boston, her roommate Annie’s skepticism amplifies her own doubts about these heady weekend retreats. What does it mean for a queer young woman to partner with an older man, for a fledgling artist to partner with an established one? Is she following her own agency, or is she merely following him? Does falling in love mean eviscerating yourself?
Combining the sticky sexual politics of Luster with the dizzying, perceptive intimacy of Cleanness, Little Rabbit is a wholly new kind of coming-of-age story about lust, punishment, artistic drive, and desires that defy the hard-won boundaries of the self.
In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse.
FROM THE PUBLISHER:
A college freshman, traveling home, strikes up an odd, ephemeral friendship with the couple next to her on the plane. A mother prepares for her son’s wedding, her own life unraveling as his comes together. A long-lost stepbrother’s visit to New York prompts a family’s reckoning with its old taboos. A wife considers the secrets her marriage once contained. An office worker, exhausted by the ambitions of the men around her, emerges into a gridlocked city one afternoon to make a decision.
In these eleven powerful stories, thrilling desire and melancholic yearning animate women’s lives, from the brink of adulthood to the labyrinthine path between twenty and thirty, to middle age, when certain possibilities quietly elapse. Tender, lucid, and piercingly funny, Objects of Desire is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition each more startling than the last—a spellbinding debut that announces a major talent.
An emotionally riveting debut novel about war, family, and forbidden love—the unforgettable saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that still haunts us today.
FROM THE PUBLISHER:
An emotionally riveting debut novel about war, family, and forbidden love—the unforgettable saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that still haunts us today.
When the communist-backed army from the north invades her home, sixteen-year-old Haemi Lee, along with her widowed mother and ailing brother, is forced to flee to a refugee camp along the coast. For a few hours each night, she escapes her family’s makeshift home and tragic circumstances with her childhood friend, Kyunghwan.
Focused on finishing school, Kyunghwan doesn’t realize his older and wealthier cousin, Jisoo, has his sights set on the beautiful and spirited Haemi—and is determined to marry her before joining the fight. But as Haemi becomes a wife, then a mother, her decision to forsake the boy she always loved for the security of her family sets off a dramatic saga that will have profound effects for generations to come.
Richly told and deeply moving, If You Leave Me is a stunning portrait of war and refugee life, a passionate and timeless romance, and a heartrending exploration of one woman’s longing for autonomy in a rapidly changing world.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English.
FROM THE PUBLISHER:
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
The plan is to leave. As for how, when, to where, and even why—she doesn’t know yet. So begins a journey for the twenty-four-year-old narrator of
Days of Distraction. As a staff writer at a prestigious tech publication, she reports on the achievements of smug Silicon Valley billionaires and start-up bros while her own request for a raise gets bumped from manager to manager.
FROM THE PUBLISHER:
The plan is to leave. As for how, when, to where, and even why—she doesn’t know yet. So begins a journey for the twenty-four-year-old narrator of Days of Distraction. As a staff writer at a prestigious tech publication, she reports on the achievements of smug Silicon Valley billionaires and start-up bros while her own request for a raise gets bumped from manager to manager. And when her longtime boyfriend, J, decides to move to a quiet upstate New York town for grad school, she sees an excuse to cut and run.
Moving is supposed to be a grand gesture of her commitment to J and a way to reshape her sense of self. But in the process, she finds herself facing misgivings about her role in an interracial relationship. Captivated by the stories of her ancestors and other Asian Americans in history, she must confront a question at the core of her identity: What does it mean to exist in a society that does not notice or understand you?
Equal parts tender and humorous, and told in spare but powerful prose, Days of Distraction is an offbeat coming-of-adulthood tale, a touching family story, and a razor-sharp appraisal of our times.
In 2006, the National Book Foundation established the 5 Under 35 prize to recognize young, debut fiction writers whose work promised to leave a lasting impression on the literary landscape. 5 Under 35 has identified some of the most celebrated young writers working today. Previous honorees include Nana Kwame Adjei-Brenyah, Brit Bennett, Akwaeke Emezi, Angela Flournoy, Phil Klay, Valeria Luiselli, C.E. Morgan, Téa Obreht, ZZ Packer, Karen Russell, Justin Torres, Bryan Washington, Claire Vaye Watkins, Tiphanie Yanique, and Charles Yu.
5 Under 35 Honorees are writers from around the world, under the age of 35, who have published their first and only book of fiction—either a short story collection or a novel—within the last five years. The honorees are recognized at a ceremony and presented with a $1,000 prize. Championing young authors at the beginning of their careers is part of the Foundation’s efforts to celebrate books, promote inclusivity, and engage more readers.
5 Under 35 Honorees are selected by authors previously recognized by the National Book Foundation—either by National Book Awards or 5 Under 35 itself. Selectors maintain confidentiality until the Honorees are announced. As Honorees are selected at the discretion of the selectors, publishers cannot nominate an honoree or submit a book for consideration.
In 2006, the National Book Foundation established the 5 Under 35 prize to recognize young, debut fiction writers whose work promised to leave a lasting impression on the literary landscape. 5 Under 35 has identified some of the most celebrated young writers working today. Previous honorees include Nana Kwame Adjei-Brenyah, Brit Bennett, Akwaeke Emezi, Angela Flournoy, Phil Klay, Valeria Luiselli, C.E. Morgan, Téa Obreht, ZZ Packer, Karen Russell, Justin Torres, Bryan Washington, Claire Vaye Watkins, Tiphanie Yanique, and Charles Yu.
5 Under 35 Honorees are writers from around the world, under the age of 35, who have published their first and only book of fiction—either a short story collection or a novel—within the last five years. The honorees are recognized at a ceremony and presented with a $1,000 prize. Championing young authors at the beginning of their careers is part of the Foundation’s efforts to celebrate books, promote inclusivity, and engage more readers.
5 Under 35 Honorees are selected by authors previously recognized by the National Book Foundation—either by National Book Awards or 5 Under 35 itself. Selectors maintain confidentiality until the Honorees are announced in mid-September. As Honorees are selected at the discretion of the selectors, publishers cannot nominate an honoree or submit a book for consideration.
Milk Blood Heat depicts the sultry lives of Floridians in intergenerational tales that contemplate human connection, race, womanhood, inheritance, and the elemental darkness in us all. Set among the cities and suburbs of Florida, each story delves into the ordinary worlds of young girls, women, and men who find themselves confronted by extraordinary moments of violent personal reckoning.
FROM THE PUBLISHER:
Milk Blood Heat depicts the sultry lives of Floridians in intergenerational tales that contemplate human connection, race, womanhood, inheritance, and the elemental darkness in us all. Set among the cities and suburbs of Florida, each story delves into the ordinary worlds of young girls, women, and men who find themselves confronted by extraordinary moments of violent personal reckoning. These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another.
A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.
Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth, announcing the arrival of a bright new literary star.
Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.
FROM THE PUBLISHER:
Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.
But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding?
Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.
