The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865.
From the publisher:
The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.
In I Saw Death Coming, Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades—indeed, generations—to come.
A groundbreaking debut collection portraying the lived experiences of Black Muslims grappling with faith, family, and freedom in America. In
Temple Folk , Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America.
In Temple Folk , Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America.
From the publisher:
In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.
In “Due North,” an obedient daughter struggles to understand why she’s haunted by the spirit of her recently deceased father. In “Who’s Down?” a father, after a brief affair with vegetarianism, conspires with his daughter to order him a double cheeseburger. In “Candy for Hanif” a mother’s routine trip to the store for her disabled son takes an unlikely turn when she reflects on a near-death experience. In “Woman in Niqab,” a daughter’s suspicion of her father’s infidelity prompts her to wear her hair in public. In “New Mexico,” a federal agent tasked with spying on a high-ranking member of the Nation of Islam grapples with his responsibilities closer to home.
With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance, and humor to remind us that while perfection is what many of us strive for, it’s the errors that make us human.
An evocative debut novel of trans-masculinity, addiction, and the pain and joy of becoming.
From the publisher:
An evocative debut novel of trans-masculinity, addiction, and the pain and joy of becoming.
Ponyboy unravels in his Paris apartment. Cut to the bar. Cut to the back room. Ponyboy is strung out and struggling. He is falling into the widening chasm between who he is—trans, electrically so—and the blank canvas his girlfriend, Baby, wants him to be.
Cut to Berlin. Ponyboy sinks deeper into drugs and falls for Gabriel, all the while pursued by a photographer hungry for the next hot thing. As his relationships crumble, he overdoses.
Cut to open sky. In a rehab back home in Iowa, Ponyboy is his mother’s son. In precise, atmospheric prose, Eliot Duncan’s debut novel lays bare the innate splendor, joy, and ache of becoming one’s self.
A novel inspired by the true story of the once racially integrated Malaga Island off the coast of Maine, by the Pulitzer Prize-winning author of
Tinkers. In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discovered an island where they could make a life together.
From the publisher:
In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.
During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community’s fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah’s Ark, the novel ends with yet another Ark.
A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.
Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu’s sons, a gift to commemorate their return from British captivity.
From the publisher:
Abbas is just 17 years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu’s sons, a gift to commemorate their return from British captivity. His fate—and the fate of the wooden tiger he helps create—will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe.
Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate. When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu’s palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.
In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year.
From the publisher:
In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.
The omnipresent vagaries of war and race rise to the surface as we learn their their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee’s father, who left for the War and never returned. Meanwhile, in the asylum, they begin to find a new path. ConaLee pretends to be her mother’s maid; Eliza responds slowly to treatment. They get swept up in the life of the facility—the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.
Epic, enthralling, and meticulously crafted, Night Watch is a brilliant portrait of family endurance against all odds, and a stunning chronicle of surviving war and its aftermath.
From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools,
A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried….
From the publisher:
From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried:
Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life.
Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.
Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost…
A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people.
From Whiting Award-winner Hanna Pylväinen,
The End of Drum-Time is a richly atmospheric saga that charts the repercussions of a scandalous nineteenth century love affair between a young Sámi reindeer herder in the Arctic Circle and the daughter of the renegade Lutheran minister whose teachings are upending the Sámi way of life.
From the publisher:
In 1851, at a remote village in the Scandinavian tundra, a Lutheran minister known as Mad Lasse tries in vain to convert the native Sámi reindeer herders to his faith. But when one of the most respected herders has a dramatic awakening and dedicates his life to the church, his impetuous son, Ivvár, is left to guard their diminishing herd alone. By chance, he meets Mad Lasse’s daughter Willa, and their blossoming infatuation grows into something that ultimately crosses borders—of cultures, of beliefs, and of political divides—as Willa follows the herders on their arduous annual migration north to the sea.
Gorgeously written and sweeping in scope, Hanna Pylväinen’s The End of Drum-Time immerses readers in a world lit by the northern lights, steeped in age-old rituals, and guided by passions that transcend place and time.
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay–playful raconteur, child lost and found and lost, guardian of the institutionalized–has a project to pass along to this new narrator.
From the publisher:
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early 20th century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories—moments of joy and oblivion—and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?
Inspired by Kiss of the Spider Woman, Pedro Páramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres’s Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made—a world full of ghostly shadows and flashing moments of truth.
